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9 September —12 September, 2015 Opening: 9 September, 5-9 PM “Spring 1883, Sydney” Anthea Behm, Andy Boot, Lupo Borgonovo,
Ricarda Bigolin & James Deutsher, Hamishi Farah,
Lewis Fidock, Jana Hawkins-Anderson, Josey Kidd-Crowe,
Jonny Niesche, Joshua Petherick, Andre Piguet,
Puppies Puppies, JD Reforma, Marian Tubbs

The Establishment Hotel, Suite #43
5 Bridge Lane, Sydney
NSW 2000, Australia

Documentation:

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

JD Reforma, “Looking at you master”, 2014 Single-channel HD video, 17 minutes 0 seconds. Jana Hawkins-Anderson, “The Ecstasy of the Useless I”, 2015, archival giclée print on centurion metallic pearl paper, 47 × 35.25cm. Jana Hawkins-Anderson, “The Ecstasy of the Useless II”, 2015, archival giclée print on centurion metallic pearl paper, 47 × 35.25cm

JD Reforma, “Looking at you master”, 2014, Single-channel HD video, 17 minutes 0 seconds. Jana Hawkins-Anderson, “The Ecstasy of the Useless I”, 2015, archival giclée print on centurion metallic pearl paper, 47 × 35.25 cm. Jana Hawkins-Anderson, “The Ecstasy of the Useless II”, 2015, archival giclée print on centurion metallic pearl paper, 47 × 35.25 cm

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Ricarda Bigolin & James Deutsher (Espresso Research), “HC SVNT DRACONES V1.3 / #RENZOLANG WALL WORK”, 2015, silk screen pigment & foil transfer on Indigo raw denim, framed 150 × 234 cm. Andy Boot, “Untitled (black)”, 2015 Rhythmic gymnastic ribbon, wax, frame 100 x 70 cm

Ricarda Bigolin & James Deutsher (Espresso Research), “HC SVNT DRACONES V1.3 / #RENZOLANG WALL WORK”, 2015, silk screen pigment & foil transfer on Indigo raw denim, framed 150 × 234 cm. Andy Boot, “Untitled (black)”, 2015 Rhythmic gymnastic ribbon, wax, frame 100 x 70 cm

Ricarda Bigolin & James Deutsher (Espresso Research), “HC SVNT DRACONES V1.3 / #RENZOLANG JACKETS”, 2015, Denim jacket construction made from silk screen pigment & foil transfer on Indigo raw denim, cotton indigo threat and steel hardware, S, M , L, XL, XXL, limited edition to 60m of fabric

Ricarda Bigolin & James Deutsher (Espresso Research), “HC SVNT DRACONES V1.3 / #RENZOLANG JACKETS”, 2015, Denim jacket construction made from silk screen pigment & foil transfer on Indigo raw denim, cotton indigo threat and steel hardware, S, M , L, XL, XXL, limited edition to 60m of fabric

Anthea Behm, “A/B Extract; Ed Ruscha, City, 1968, Custom Blur: Surface Blur ra- dius 100 + threshold 2, Surface Blur radius 10 + threshold 203, Surface Blur radius 20 + threshold 85, Gaussian blur radius 16.5”, 2011, Giclée print (framed) 155 × 136 × 3 cm, (on bed)

Andy Boot, “Untitled (black)”, 2015 Rhythmic gymnastic ribbon, wax, frame 100 x 70 cm. Anthea Behm, “A/B Extract; Ed Ruscha, City, 1968, Custom Blur: Surface Blur ra- dius 100 + threshold 2, Surface Blur radius 10 + threshold 203, Surface Blur radius 20 + threshold 85, Gaussian blur radius 16.5”, 2011, Giclée print (framed on bed), 155 × 136 × 3 cm

Josey Kidd-Crowe, “barbar ba bar”, 2015, sand, shoelaces, comb, button, oil on canvas

Josey Kidd-Crowe, “barbar ba bar”, 2015, sand, shoelaces, comb, button, oil on canvas

Andy Boot, “Untitled”, 2015 laser cut and powdercoated MDF, brass 4 panels, each panel 215 × 89 × 2.5 cm, overall 215 × 356 × 2.5 cm

Andy Boot, “Untitled”, 2015, laser cut and powdercoated MDF, brass, 4 panels, each panel 215 × 89 × 2.5 cm, overall 215 × 356 × 2.5 cm

Joshua Petherick, “Capitulating Study 1”, 2014, hand-pulped paper, synthetic hair, 45 × 53 cm

Joshua Petherick, “Capitulating Study 1”, 2014, hand-pulped paper, synthetic hair, 45 × 53 cm

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Jonny Niesche, ‘‘‘( )’ V”, 2015, Voile, Wood, 120 × 120 × 2.6 cm. Jonny Niesche, “( ) VII”, 2015, Voile, Wood, 120 × 120 × 2.6 cm

Jonny Niesche, “( ) VII”, 2015, Voile, Wood, 120 × 120 × 2.6 cm. Jonny Niesche, “( ) V”, 2015, Voile, Wood, 120 × 120 × 2.6 cm

Marian Tubbs, “modality”, 2015, pigment print on silk, ply artist frame, 70 × 110 cm. Marian Tubbs, “uhbskyooruhnt”, 2015, pigment print on silk, ply artist frame, 70 × 110 cm

Marian Tubbs, “modality”, 2015, pigment print on silk, ply artist frame, 70 × 110 cm. Marian Tubbs, “uhbskyooruhnt”, 2015, pigment print on silk, ply artist frame, 70 × 110 cm

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Puppies Puppies, “bonelesss.mov”, 2013, Single-channel HD video, 1minute 45 seconds. Josey Kidd-Crowe, “Museums of America”, 2015, marker, oil and museum wax on stretched beanbag material canvas.

Puppies Puppies, “bonelesss.mov”, 2013, Single-channel HD video, 1minute 45 seconds. Josey Kidd-Crowe, “Museums of America”, 2015, marker, oil and museum wax on stretched beanbag material canvas.

Andre Piguet, “washi”, 2015, marker on photocopy / ink on japanese tissue (two parts), 30 × 21 cm. Andre Piguet, “curtain”, 2015, ink on paper / ink on japanese tissue (two parts), 30 × 21 cm.

Andre Piguet, “washi”, 2015, marker on photocopy / ink on japanese tissue (two parts), 30 × 21 cm. Andre Piguet, “curtain”, 2015, ink on paper / ink on japanese tissue (two parts), 30 × 21 cm.

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Minerva, “Spring 1883″, installation view, The Establishment Hotel, Sydney, 10 September – 12 September, 2015

Jonny Niesche, ‘Sunbathers’, 2015 voile, acrylic, flasche, and euromir

Jonny Niesche, ‘Sunbathers’, 2015, voile, acrylic, flasche, and euromir

Andy Boot, “untitled”, 2015 lacquer on cut metal structure 60 × 50 cm. Andy Boot, “untitled”, 2015 lacquer on cut metal structure 60 × 50 cm

Andy Boot, “untitled”, 2015, lacquer on cut metal structure, 60 × 50 cm. Andy Boot, “untitled”, 2015, lacquer on cut metal structure, 60 × 50 cm

Lewis Fidock, “Mighty Big Soapbox For An Ant”, 2012 cast solid gold coin, dimensions variable

Lewis Fidock, “Mighty Big Soapbox For An Ant”, 2012 cast solid gold coin, dimensions variable

Lupo Borgonovo, “Maialito”, 2014, silicone rubber, pigments, 60 × 30 × 95 cm. Lupo Borgonovo, “Maialito”, 2014, silicone rubber, pigments, 60 × 30 × 95 cm

Lupo Borgonovo, “Maialito”, 2014, silicone rubber, pigments, 60 × 30 × 95 cm. Lupo Borgonovo, “Maialito”, 2014, silicone rubber, pigments, 60 × 30 × 95 cm

Andre Piguet, “garden”, 2015 ink on paper, 35 × 22 cm. Andre Piguet, “pulse-demon”, 2015, ink on paper / marker, ink, coloured pencil on paper, (two parts) 35 × 22 cm

Andre Piguet, “garden”, 2015 ink on paper, 35 × 22 cm. Andre Piguet, “pulse-demon”, 2015, ink on paper / marker, ink, coloured pencil on paper, (two parts) 35 × 22 cm