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14 August – 17 August, 2014 Opening: 14 August, 12-4 PM “Spring 1883, Melbourne” Hany Armanious, Andy Boot, Fayen d'Evie,
James Deutsher, Helen Johnson, Jonny Niesche,
Joshua Petherick, Marian Tubbs, Alex Vivian

Spring1883

The Hotel Windsor, Suite #330
111 Spring Street, Melbourne
VIC 3000, Australia

Documentation:

Minerva, “Spring 1883”, installation view, The Hotel Windsor, Melbourne, 14 August – 17 August, 2014

Hany Armanious, “Snake Oil”, 1997, hotmelt, oil paint, (free form) 6 pieces, dimensions variable (includes 4 crates/ plinths). Courtesy of Roslyn Oxley9 Gallery

Fayen d’Evie, “Much appreciated, thanks”, 2014, aerosol acrylic paint, dye sublimation acrylic painting on stainless steel, copper sheet, 350 × 500 mm

Fayen d’Evie, “I said THAT?”, 2014, aerosol acrylic paint, dye sublimation acrylic painting on stainless steel, engravers’ brass, 350 × 500 mm

Jonny Niesche, “( ) iv”, 2014, voile and wood 1200 × 1200 mm, “Mystic Massmatix”, 2014, voile and wood 1200 × 1200 mm

Minerva, “Spring 1883”, installation view, The Hotel Windsor, Melbourne, 14 August – 17 August, 2014

Andy Boot, “Meliorates” (detail), 2014, watercolour on canvas, 1600 × 1300 mm. Courtesy Croy Nielsen, Berlin

Helen Johnson, “We were wrong”, 2014, synthetic polymer paint on canvas, 860 × 610 mm

Joshua Petherick, “Scalper IV”, 2014, hand-pulped paper, carbon, synthetic hair, spirulina, 570 × 460 mm

Fayen d’Evie, “12-Step Programme”, 2014, engraved text, two crystal decanters, eight crystal low-balls, Laphroaig and Tallisker whiskeys, dimensions variable

Fayen d’Evie, “12-Step Programme” (detail). 2014, engraved text, two crystal decanters, eight crystal low-balls, Laphroaig and Tallisker whiskeys, dimensions variable

James Deutsher,“The Godfather Pt. 3 (parts one – three)”, 2014, oil on linen, gilt frame, 660 × 1074 mm each. Fayen d’Evie, “12-Step Programme”, engraved text, two crystal decanters, eight crystal low-balls, Laphroaig and Tallisker whiskeys, dimensions variable

James Deutsher, “The Godfather Pt. 3 (part two)”, 2014, oil on linen, gilt frame, 660 × 1074 mm

Alex Vivian, “Untitled (An ongoing thing)”, 2014, vaseline on mirror, an installation (buyer provides mirror). Marian Tubbs, “Vulgar Latin”, 2014, HD video colour and sound, 5 minutes 39 seconds. Hany Armanious, “Snake Oil”, 1997 hotmelt, oil paint, (free form) 6 pieces, dimensions variable (includes 4 crates/ plinths). Courtesy of Roslyn Oxley9 Gallery, Sydney

Alex Vivian, “Untitled (An ongoing thing)”, 2014, vaseline on mirror, an installation (buyer provides mirror). Marian Tubbs, “Vulgar Latin”, 2014, HD video colour and sound, 5 minutes 39 seconds. Hany Armanious, “Snake Oil”, 1997 hotmelt, oil paint, (free form) 6 pieces, dimensions variable (includes 4 crates/ plinths). Courtesy of Roslyn Oxley9 Gallery, Sydney

Joshua Petherick, “Scalper I & II”, 2014, hand-pulped paper, carbon, synthetic hair, 570 × 460 mm. Marian Tubbs, “I+D”, 2014, video colour and sound, 2 minutes 05 seconds. Edition 1/2 + 1 AP

Joshua Petherick, “Scalper I & II”, 2014, hand-pulped paper, carbon, synthetic hair, 570 × 460 mm. Marian Tubbs, “I+D”, 2014, video colour and sound, 2 minutes 05 seconds. Edition 1/2 + 1 AP

Joshua Petherick, “Scalper II”, 2014, hand-pulped paper, carbon, synthetic hair, 570 × 460 mm

Alex Vivian, “Untitled (An ongoing thing)”, 2014, vaseline on mirror, an installation (buyer provides mirror). James Deutsher, “The size of a Saint Laurent shoe box (threat)”, 2014, marble, powder coated steel, silicone, glazed ceramic 430 × 475 mm

Alex Vivian, “Untitled (An ongoing thing)”, 2014, vaseline on mirror, an installation (buyer provides mirror). James Deutsher, “The size of a Saint Laurent shoe box (threat)”, 2014, marble, powder coated steel, silicone, glazed ceramic, 430 × 475 mm